If in enlightenment wisdom and the institution derived from it were important and man faced nature, ROMANTICism was a revolt against enlightenment and assumptions coming from it. The exponent of encyclopedia and the enlightenment thinkers were of the view that "wisdom" alone is the right path to understanding of the world and its foresight and other senses are weak. In contrast the ROMANTICs were of the view that "feelings" are the authentic sense for understanding, in other words mind accept a path which heart has guided it. The present article wants to examine the ROMANTIC MOVEMENT and the grounds for the formation of it in Germany. ROMANTICism in Germany got an anti-French nature and France was like "the other" for German ROMANTICs. The paper also discusses the theory of ROMANTIC government and the thinking of Johann Hamann with emphasis on exclusivist aspect of this MOVEMENT and its confrontation with enlightenment.

The Story entitled "Little Black Fish" written by Samad Behrangi is a parable which expresses our surrounding life realities. Main core and texture of the story is based on mysteries by which plot of the story has been enriched. The storyteller has composed his story according to ROMANTIC MOVEMENT and basics of this school including invitation to life realities with serious intentions, praising human values and freedom which have been reflected well in it. It is worth mentioning that ROMANTIC aspect of the story has never detached it from humans' life realities and has not caused its fall into hallucination and idealism. Hence this story is around real events of life and it aims to encourage humans to optimize life quality. Present study investigates structure and content of most famous story written by contemporary well known Iranian storyteller Samad Behrangi in descriptive-analytical method and themes combined with allegory and parable in the light of ROMANTIC MOVEMENT. Besides, characters and events of the story have been analyzed with mystery and parable approaches. Among most important findings of the study is that ROMANTIC aspect of Behrangi's story has origin in realities that he has touched them deeply and mysterious elements of the story represents conditions of the writer's time.

Background: Stress is a migraine trigger. Anxiety sensitivity as a mediator between stress and disease is one of the factors affecting the symptoms of migraine. Purpose of the present study was to assess the effectiveness of Eye MOVEMENT Desensitization and Reprocessing (EMDR) on anxiety sensitivity in patients with migraine.Methods: In this semi experimental study, 36 patients with migraine were randomly divided into two groups: experimental and control. Patients of experimental group received EMDR therapy, 3 sessions of 90 minutes within three weeks. Control group did not receive any medical or psychological intervention. Participants in both groups were evaluated with Anxiety Sensitivity Inventory- Revised (ASI-R) during pre-test, post-test and one-month follow-up.Findings: The analysis of variance with repeated measures showed that eye MOVEMENT desensitization and reprocessing reduces anxiety sensitivity (P<0.05) in patients.Conclusion: The results suggest that EMDR can be considered as one of the therapies for migraine headaches.

Nima, founder of modem Persian poetry, revealed ROMANTIC tendencies especially in his earlier poems, maintaining a milder ROMANTICism for the rest of his life. The purpose of this article is to explore Nima's ROMANTIC tendencies and his views on ROMANTICism regardless of his poetry. Nima's ROMANTICism borders the social ROMANTICism of the constitutional period and the sentimental ROMANTICism of the 20s and 30s. The main characteristics of his ROMANTIC poetry are as follows: ROMANTIC love, desire for nature, primitivism, idealism, subjectivism, desire for isolation, appreciation of the poetry of European ROMANTIC poets, etc.

ROMANTICism is an intellectual, literal, cultural, and social MOVEMENT which appeared in the late eighteenth century in Europe. This MOVEMENT could affect the culture and intellect of many different nations, including Iran. ROMANTICism could be found in every period of Persian poetry and prose in different ways, but in the Constitutional period it was in the heart of literal and social changes. The poets such as Mirzadeh Eshqi, Nasim Shomal, and Bahar are the most famous ones in constitutional literature, reflecting their special thinking in their poetry.Although Bahar has a tendency toward the classical poetry, because the modernism of his time, he has composed some poems completely compatible with ROMANTIC elements. The six main points of ROMANTIC thinking (freedom, emotion and feeling, escape and journey, discovery and intuition, common sense, and imagination) constitute a large part of his poetry which can never be separated from it.

BACKGROUND AND OBJECTIVES: The importance of the Iraqi style is not limited to the inclusion of many great works of Persian literature in it, but today, with the development of critical sciences and studies of Western literature, new angles of validity and importance of this style have been identified. Recent studies in the field of Oriental studies and the relationship between Eastern and Western literature show that many features of Western art and literature, especially the literary school of ROMANTICism in the eighteenth and nineteenth centuries, bear a striking resemblance to Eastern art and literature, especially Iran, when The establishment of the Iraqi style according to the speakers of the sixth to ninth centuries AH in the region of Jabal, Zagros and Ajam has been non-existent. The purpose of this study is to analyze the Iraqi style from this angle. METHODOLOGY: The present study has been done with a descriptiveanalytical method with the aim of highlighting the similarity between Iranian sentimental literature and Western ROMANTIC literature by quoting European sayings and works as well as mentioning and analyzing examples of related works of Iraqi style. FINDINGS: Realizing the similarity between the characteristics of the Iraqi style and some components of the school of ROMANTICism, especially at the intellectual level, is one of the most important achievements of this study. CONCLUSION: Coordinates such as sentimentality, individualism, imagination, religiosity, introversion and sorrow, as well as the tendency towards nature, which are characterized by the literary school of ROMANTICism, in the works of Iraqi style literature are clearly different from those mentioned in other literary styles. It shows itself, so that according to critics and the existence of Western literary books that have been written according to the works of Persian literature, especially in the Iraqi style, certain traces of similarity with ROMANTICism can be found in this style.

Cosmopolitanism, ROMANTIC MOVEMENT, the development and extension of literature through communication devices and advancement of publishing technology were the sources of emergence of comparative literature.The present article studies the attempts of Arab literary men in this field after it was introduced into Arabic literature.

The social-political events are the main stimulus of the change of style in any period of time. In Iran ,Constitutional Revolution, alongside the changes that caused in society, had a great influence in literature and by proposing social contents, caused the change in the style of the literati. Occurrences in Pahlavi's government, increased the tendency toward community-oriented ROMANTIC and lead to change in style of poems and other artworks. ROMANTICism is a Literary school that emphasize on excellence of emotion and fiction rather than reasoning and intellection. This school has two branches: individual-emotional (dealing with personal world) and social (reflecting social events and attempting for change in society). Nosrat Rahmany is one of the pioneers of community-oriented ROMANTIC poetry in contemporary and one of the frustrated intellectual after the 1953 coup when social-political events caused him to turn toward people. Since this time on Rahmany considered the human emotions and feelings more important than individual and personal emotions. In this research, relying on Nosrat Rahmany's poems, the transition of his thought from Individualist ROMANTIC to community-oriented ROMANTIC and characteristics of Individual ROMANTICism and community-oriented ROMANTICism were studied.

The Germany Literature is embellished with the works which belong to different eras. The ROMANTIC era, inter alia, has this speciality that its intellectuals, literary men and artists have focused their attention not to the real issues, but to the ultimate infinite of the universe, because, the origin and foundation of the issues is the ultimate infinite which is manifested in the form of beautiful ideals in the nature. According to the ramantic insight, the artists observe the manifestation of ideals in the scene of the nature through their feelings and reflect them in their works. However, the subject of their concern is so great that no artist can totally observe it and display it in his/her work. Moreover, the ultimate infinite of the universe may not in nature be confined within a work of art. Therefore, the literary works remain as an unfinished pieces. This article is a brief explanation of the insight and works of the intellectuals, literary men and artists of the ROMANTIC era.